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New Release:
Pulling Apart, a new collection of poems from John Blackard, is now available for purchase. John will be reading from Pulling Apart on March 3rd at the Oregon Literary Review Readers’ Series at Blackbird Wineshop.
Sample Poem from Pulling Apart:
Intimate Isolation
Another gathering of the newly-wed
and the nearly-dead that clearly needed
more than food and music, which, anyway,
was better than the conversation.
Language in all its forms seemed
a rant of betrayal to the taciturn and tight-lipped,
just as the last leaves of fall scratched
and scribbled off the back porch
into the oblivion of fields overgrown
with sumac and scrub pine.
This farming family’s golden age
of harvests was what they wouldn’t talk about,
left for the cash wages of public jobs
in town, as if their sin of omission
was forgettable.
There wasn’t much anyone could have said
that would scowl well, to use a farming
term about how earth falls away
from a sharp or dull plow.
I felt like a young fool once
again, overhearing my estranged brothers
tell about the time I drove
the tractor into the pond. Wasn’t a man
foolish to his family a man freed
in the world?
I stopped thinking long ago
I ought to be a tool made to clean up
a weedy row, the branching of the family
tree had anything really to do with me.
The master of ceremonies, one of those
old men who spoke in biblical rhythms,
kept pushing through his phlegmy recitation
of the family begets, a story always told
vaguely for the children among us.
I imagined our forefathers’ amens
for whatever they and God approved.
We are only blood-intimate, after all,
we are isolated by our common past.
Who can see himself in others, and not see
the worst? Day-dreaming or
demented—I couldn’t tell—the oldest
honorees seemed embarrassed
by the litany of silence between them.
Eventually, each dish of food was
blessed, tasted, and left on a table
or window ledge, the father and sons’
gospel quartet—minus the son just killed
in the war— ended its set with Before
the World Began.
Family secrets are what we tell
against ourselves in private, the scapegoats
and scapegraces pinned together
in the same rocky pasture.
About The Author:
John Blackard is a graduate of the University of North Carolina with advanced degrees in English Studies and Library Information Studies. He has three books of poems in print and a book about the golden age of paperback publishing. He has received Fulbright and National Endowment for the Humanities fellowships. He lives in Portland with his wife, the poet Valentina Gnup, and recently served as associate editor of Poetry Northwest. For more information, check out his website.
Image credit John Blackard.




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